Chatterbox - still talking nonsense

Letitia Wright plays Yvonne, an ambitious Black journalist in this play about journalism and journalistic integrity.  It’s set in 1990’s America, and a white man lost in a car in a rundown area of town is attacked and murdered, his wife describing the murderer as a Black man.  So it sets itself up as a bit of a whodunnit, with the newsroom well placed to investigate.  Yvonne is keen to cover the story but has just started her job in the Black newsroom and she is put on local Black stories rather than the bigger one she is interested in. Her boss is Pat (played by Lorraine Toussaint - loved her in Orange is the New Black ) a war weary veteran of the civil rights movement with Neil (Ashley Thomas), as her enthusiastic sidekick who is convinced the wife is responsible for the murder.  The last of the main quartet of the cast is Wilf Scolding as Jeff, Yvonne's rich boyfriend, who also happens to own the paper. Despite setting us up with a mystery, this is really about wh...

  Another night out at a period play, this time from 1969.  This domestic farce is still very funny, operating like clockwork as it should.  The premise is that Frank (Roger Allum), an ineffectual but well meaning man, decides to intervene when his wife explains that she missed their anniversary as someone in his work team is having an affair.  Being the genial, if incompetent boss that he is, and totally misunderstanding the situation, he tries to help resolve the perceived marital difficulties of Mary and William, Bob and Theresa, causing highly entertaining chaos.  The play is in the round, with the set ingeniously split between the overlapping homes of the Featherstones and the  Phillips. which enables  some excellent scenes where the couples have phone calls, conversations and even more entertaining, two concurrent dinner parties, without noticing the others are there. It is definitely funny, but some of the relationship dynamics are really dated,...

I had a trip into London on a day off, and managed to squeeze in a few exhibitions plus some theatre.  Abigail's Party I am going to start with the final visit of the day which was to see the Mike Leigh classic, Abigail's Party, revived with Tamzin Outhwaite as Bev, the monstrous hostess from the 1970s.  One of the amazing things about this was, although she opened with a slightly nasal intonation reminiscent of Alison Steadman's defining performance, she very quickly moved away and made Bev her own.   Bev is still a monster, perhaps a little more vicious than I remember, but that might be because the 1970's culture on display here was even more jarring than I remember it being when first produced.  A clever touch is to make Tony and Angela, their new neighbours who are visiting, of Asian heritage, adding an additional frisson to the class and other topics that fall out of Bev and Laurence's mouths. Tony and Ange are as awkward as any of us would be dealing with...

Adults:  I just caught up with this comedy after getting loads of recommendations.  I thought it was going to be Friends-lite, and it sort of started off that way but then it becomes its own thing, and it’s great.  Sweet and funny, with a mix of the odd curly-toes cringy laugh, but also a lot that comes from character, interspersed with the occasional mic-drop funny.  I love the development of  characters especially in season 2, where they all have their moments, and there is subtle slow burn yearning going on too.  As each episode is just over 20 minutes I ended up binging it in just a few evenings.  I’m assuming they are aiming for a season 3 but it would be ok if it ended where it is I think ( TV series streaming on Disney+) Colin from Accounts:    People have been recommending this Australian romcom/drama to me for years, and I finally got around to watching it.  It’s an intelligent, sharp, and emotionally satisfying story named afte...

I have always loved the scale of Anish Kapoor's work, even if I don't understand much about the philosophy behind it, and this exhibition's initial hit is based on the overwhelming size of the first exhibit when you first walk into the gallery, with a scale that made me feel overwhelmed and squashed at the same time But I hadn't seen his works with the blackest of black paint before.  Apparently there is a whole controversy because he has bought exclusive rights to this colour, and I can understand the outrage, but he certainly makes the most of it.  I don't think it really shows in photos, but the optical illusions, created by how dark the paint is, are truly amazing and makes it a properly interactive experience.  They look like they are floating in midair, or completely vanish when you try to capture anything three-dimensional in an image.  The photos here are the best I could do, loads of them just don't make sense in 2D, so it means you'll just have to ...

The summer is always weird for telly as there’s a lot more to do outside.  But I did watch a couple of things. Ride or Die: Another women led action adventure, with cast, production and writing all covered, and I’m here for it..  With the magnificent Hannah Waddingham as an assassin and Octavia Spencer as her best friend, this is a lot of fun as the duo run rings around the Albanian mob with the support of a couple of green flag men in secondary roles.  I love the middle aged female friendship being displayed here, but it’s also great that women can be proper baddies and not just in a girlie way.  Some of the plot and dialogue is a bit iffy, but this is funny and engaging, and generally a cut above the majority of action adventures so I definitely recommend. (TV series streaming on Prime) Silo: series 3 of this sci-fi dystopian book adaptation has been drip fed over the past few weeks.  Rebecca Ferguson is still fab, and it is still largely sticking to the boo...

  Well, this was a white knuckle ride!  Based on a 2018 Danish film, this is a tense thriller with Russell Tovey holding the stage for the full 65 minutes of the play. Joe (Tovey) is working alone in a police emergency response control room.  Bored, and with a monotone voice as he deals with time wasters, he is also making judgements about every call, and the people who call in, and deciding whether he needs to give it proper attention.  We learn he has family problems and that there is some kind of hearing hanging over him.  When he gets a call from Emily though, he gives it his full attention and we see him spring into action, perhaps going further than he should in true police drama style.   This is fantastically tense, with Tovey holding our attention every step of the way as we watch his decision making, both good and bad, unfold in real time.  It tackles toxic masculinity, and mental health issues as well as police misconduct and with a soci...