Chatterbox - still talking nonsense

 First thing to say is that Sandra Oh is fantastic, and she is surrounded by an excellent cast for this reworking of Moliere’s classic about the hypocrisy of aristocratic society.  Oh plays Alice, a straight talking writer who is being pursued to apologise for things she has said.  Paul  Chahidi plays her friend John, and Tom Misan as Stephan her younger lover, both doing a fantastic job in providing a counterbalance and foil to Alice's passionate inflexibility. Jemima Rooper is also perfect in her relatively small role as Stephan’s bitter ex wife, using social media to cause real life damage.   Alice, in this version of the play is a writer who is wedded to honesty and telling the truth as she sees it, with no patience for dissembling, compromise or taking a pragmatic path.  This eventually affects her career and her relationships.  Completely rewritten with an up to date focus on narcissism, cancel culture, social media pile-ons, online misinfor...

 A day out in London took me first to see the new Marilyn Monroe exhibition at the National Portrait Gallery, followed by a brief wander through Tate Modern before ending the day at the Globe for a glorious production of Much Ado About Nothing. First, the Monroe exhibition which was extensive, organised by her life story and relationships with different photographers over the years including Philip Hausman, Cecil Beaton and her close collaborator for on-set photography, Eve Arnold.   It was interesting how closely she curated her image, having control over which proofs got to see the light of day and which were banished (until now) to obscurity by Monroe's pen through the image. Ironic how that control vanished after her death. There were plenty of stories about her being difficult and fighting with the studios, but it is interesting to see how many of them were her not wanting to be put in the dumb blonde box.  Her story is so well known but there were plenty of pho...

As it's been Pride month I have been rewatching a few old favourites - so starting this month’s roundup with some suggestions:   Heated Rivalry -  award winning, classy, complex romance set in a toxic environment. Crafted as if it was a 6 hour movie, with fabulous writing, cinematography, soundtrack and performances which absolutely deliver on its carefully structured story arc. It chucks the traditional male gaze out the window in the beautifully shot intimate scenes, and if episode 5 doesn't have you standing on your sofa cheering, there is something wrong with you*.  You do need to put your phone away though, trust that the first few episodes are worth the later payoff, and properly watch, otherwise you will miss so many of the subtle layers (s eries, streaming on Sky/NowTV)   All of Us Strangers - A reworking of a Japanese novel, this atmospheric thriller/ghost story/romance explores grief and loneliness alongside all sorts of love between families and love...

Big Mistakes . Dan Levy has a free pass from me for the rest of his life for giving us Schitts Creek but he doesn’t need it for his new black comedy.   Nicky (Levy) and Morgan (Taylor Ortega) are a squabbling brother and sister who need to buy a gift for their dying Nonna but things quickly spiral out of control when Morgan makes an impulsive mistake.  It’s both silly and fast moving with one of those plots where you don't want to think too hard, and also don't have the time to unpick it before moving onto the next thing.  But it also has a bit of heart too which is what will keep me coming back for more  A great cast too, including Laurie Metcalf, and I think there is mileage in the second series which has just been confirmed.  Lots of fun (Series, streaming on Netflix)  Off Campus.   A romance based in the hockey world, adapted from a book series?  Sounds a bit familiar, but this is no Heated Rivalry .   Garrett  (Belmont Cameli) is a...

Lesley Manville and Aidan Turner play the charismatic dissolute and scheming villains who toy with love and lust in their struggle for power in this gorgeous adaptation by Marianne Elliott    Marquise de Merteuil (Lesley Manville), and society rake, Vicomte de Valmont (Aidan Turner) set up a scheme to seduce an innocent girl just out of convent school, and an upright and an honourable young wife.  As the plot unwinds they realise that they are risking more than they thought.    There’s a deceptively spare and modern set at the start, which is populated as needed by swirling walls and doors that create privacy and exposure  The  costumes here are gorgeous, shown at their best by the choreography that builds the mood and is used, particularly in the second half to illustrate both  the passion and violence and give us a sense of what is really going on under the surface.   Lesley Manville, as always is fantastic, so contained and precise, a...

This is a complete updating of Ibsen’s classic early feminist creation at the Almeida, and I really wanted to like it.   Romola Garai is Nora, who, in this iteration, is married to a financier with a city boy made good vibe, (including the recovery from addiction).  He is just about to make it big by selling his company.  Nora is an over-excited trophy wife when we first meet her, spending money that as her husband points out, they don’t have yet.  But she wants a good family Christmas and so Torvald (Tom Mothersdale) acquiesces.  But all is not as it seems.  Nora has secretly put them in debt to save her husband and family, but a blackmail plot and a flirtation make everything a lot more complicated.   I appreciate the attempt to bring it up to date,and it is ostentatiously of the moment, including the delight of a  financier recognising that war will bring in big money for him.  The question of how to be a woman in today’s world is still a ...

An Episcopalian church in  the US is preparing for the arrival of some special visitors who will need privacy in one of their rooms.  Life is going on in the rest of the building but Brandon (Ameri Bacchus) and Judy (Susie Trayling) as they are setting up, decide to stop the music lessons and other activities until after the meeting is over so that there are no distractions.   The visitors are two sets of parents who lost their children in a school shooting seven years before. Gail (Lyndsey Marshal) and Jay (Adeel Akhtar) lost their son Ewan whilst the murderer was Linda (Monica Dolan) and Richard (Paul Hilton)’s son  The four parents sit at a table in the middle of the room and talk through  their grief, anger, regrets, and consider if or how they can reconcile themselves to what has happened.   A small scale truth and reconciliation hearing.   This is a new play at the Donmar by Fran Kranz which I understand is based on the film of the...