Chatterbox - still talking nonsense

Despite the underpinning themes of American colonialism and the westward landgrab vs modern America, this is a suprisingly intimate play, although as it is written by Samuel D Hunter who wrote The Whale  I suppose I shouldn't be surprised.   Jake, a well to do liberal arts graduate has been following the westward trail towards the Pacific taken by his ancestor, but he washes up 300 miles short in the small town of Clarkston and gets a night job in Costco where he meets Chris.  Chris is trying to get into a writing course, but has an addict mum to worry about.  So that’s the set up, which doesn’t sound particularly promising but this ends up being a surprisingly tender play about people trying to find connection and make the best of their lives, despite the challenges they face.  It’s a bit clunky with the amount of exposition, but the central performances are excellent and I found myself drawn into the lives and concerns of the young men.   Joe Lo...

Hamnet - my first proper film of the festival this year, on a Monday morning, so not particularly auspicious.  But we had seen a production of Hamlet on the preceeding Friday, so were nicely primed.  Hamlet is hands down my favourite play ever, and I really loved Maggie O'Farrell's novel on which the film is based, directed by Chloe Zhao of Nomadland fame.  The story imagines how the death of Shakespeare's son Hamnet led to the creation of the play Hamlet.  That sounds simple, but along the way it muses over the way that life and art are wrapped together, one feeding the other in a continuous loop.   The novel tells the story largely through the interior lives of the characters, and so I wasn't at all sure how that would be managed.  It was managed by ditching that altogether and having fantastic actors to bring that to us without words,  Jessie Buckley is absolutely the centre of the film , but Paul Mescal brings his fullest and best game to this...

This play by Liz Duffy Adams, transferred from the RSC, has the second fictionalised re-imagining of William Shakespeare I have seen this week.  With Ncuti Gatwa as Marlowe and Edward Bluemel as Shakespeare, the play imagines the two great writers meeting to collaborate on a series of plays to please their patrons (apparently recent academic research speculates that Marlowe may have been a contributor to Henry IV parts 2 and 3).  This is an Elizabethan police state, with factions and spies, and Marlowe up to his neck in all of it.  Shakespeare, meanwhile, is still relatively early in his career and is somewhat overwhelmed by the far more famous Kit Marlowe.   The 90 minutes of this play is an intense sparring match between the two poets as they challenge, flirt, fight, argue and occasionally collaborate.  There’s some flashy technology to open and to occasionally allow Shakespeare to break the fourth wall and speak directly to the audience.  But otherw...

Of course it’s always hard to find something new about a 400 year old play, but this production at the National Theatre has a good go at it.  Opening with a suitably atmospheric ghost scene, we shift to a genteel palace interior and meet our prince.  This one is young and cocky, interacting with the audience from the start, and there is a definite attempt to bring some comedy.   For the first half, the set and the music were evocative to me of a country house Agatha Christie-ish whodunnit.  And that worked very well as Hamlet investigates whether his uncle really did kill his father.  The second half though contains a lot more darkness and metaphysical musings and here I would have appreciated a change in tone.  Instead it carried on pretty much the same.   Hiran Abeyskera as Hamlet was different in a good way with his youthfulness and lightness of touch in his 'Tobacco and Boys' t-shirt, rattling through and almost throwing away his lines...

The Hack - A highly accessible, if far too long, account of the hacking scandal illustrating the web of back scratching, corruption and illegal activity held in place with fear over many years.  It’s a depressing story, and unfortunately a complicated one due to the web of connections and cover-ups that needed to be exposed.  But it’s told with verve, using the same approach as The Big Short , simplifying with explanations direct to camera by our narrator and guide, David Tennant as the journalist Nick Davies who over many years doggedly hunted this story down for The Guardian . I fear nothing much has changed, and in fact it may well have accelerated the mistrust of all journalism, including the good and honourable ones, and the turning to online ‘experts’ instead.  The text at the end explaining what happened next was both damning and depressing  But even so, it is worth a watch to remind ourselves of what happened and is maybe still happening. ( Series, ITV and ...