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Showing posts from February, 2026

February TV and Film

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Dirty Business  - I think we all know that we were sold down the river when Thatcher privatised the water companies, and how badly we have been swindled, but I defy anyone to watch this docudrama and not be horrified and seething with fury about just how badly this basic human and environmental need has been managed by everyone involved.  The three part series takes a good look at some tragic human stories of how contaminated water has caused death, illness, and ongoing ecological disaster.  Alongside these, we see the real life data and sleuthing heroes Ashley Smith (David Thewlis) and Peter Hammond (Jason Watkins) digging up the dirt, doing analysis that no-one else was, to show what the companies and regulators had been up to.  Shocking - watch it then write to your MP at the very least, although I feel like getting out the pitchforks and marching down to Thames Water HQ.  Doing a similar job as Mr Bates vs The Post Office last year, this is important telly....

Man and Boy (and some women artists too)

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Man and Boy at the Dorfman I knew very little about this rarely performed Rattigan play beforehand but, for me at least, this one was a hit.  I last saw Ben Daniels being amazing in Medea a couple of years ago.  This time he plays Gregor Antonescu, a successful financier in 1934, with all sorts of financial interests including loans to the fascist movements in Italy and Germany, clearly moving in those circles.  We meet him at the moment his dodgy dealing has caught up with him and he seeks sanctuary in his estranged son’s basement apartment in Manhattan.  The murky world of the rich hits pretty hard in the light of the Epstein scandal, showing how disposable people are in this world, including his son, as he offers him up without his consent, to a closeted gay corporate boss.  In this world, people are no more than commodities and Antonesco states 'Love is a commodity I can't afford' .  What matters instead is how anyone or thing can help with the deal....

Hamlet 2026

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Unusually, this was on at my local multiplex.  There is still something rotten in Elsinore, but this time Elsinore is a dodgy property company in London.  This is a new and pretty stark reworking of Hamlet, with Riz Ahmed as the prince, the heir to a modern shady business empire with hints of Succession. Loads of the language is ditched, and many characters and scenes are condensed or thrown out.  This could be bad, and it took me a few minutes to get my bearings, but actually this is really good.   Stripped back, but with gorgeous cinematography, a lot of this is set at night and with fast cars in the city with glamour and seediness next to each other.  Riz Ahmed is a convincing Hamlet, struggling with what is the right thing to do. Polonius (Timothy Spall) is simply nasty in this and Ophelia (Morfydd Clark) is still important but the mad scene is missing, something I am pretty pleased about as I always struggle with it. I really enjoyed the way that the 'To be...

January 2026 - New Year, new telly and films

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Heated Rivalry - This is an enjoyable slow-burn romance between ice hockey players, developing over a 10 year period. Is it any good? ‘I mean, yes, I think so, probably’. There's a lot of snobbery about the romance genre, but this is interesting, not just because of the work itself,  but also the way it has captured the zeitgeist* and pulled together lots of live debates into one place. So, this is a slightly longer essay than usual, feel free to skip past. Firstly, what is this about? This is a Canadian word of mouth success that blew up in the US and Canada before Christmas and left networks around the world  scrambling to get in on the action, arriving in the UK in January. Most of the early noise was about the spicy sex scenes but it settles down into a proper old school yearning romance.  In addition to the character development and recognition of self, which is always central to a solid romance, there are the external pressures of being rival sports personalities in...