Chatterbox - still talking nonsense

I had a trip into London on a day off, and managed to squeeze in a few exhibitions plus some theatre.  Abigail's Party I am going to start with the final visit of the day which was to see the Mike Leigh classic, Abigail's Party, revived with Tamzin Outhwaite as Bev, the monstrous hostess from the 1970s.  One of the amazing things about this was, although she opened with a slightly nasal intonation reminiscent of Alison Steadman's defining performance, she very quickly moved away and made Bev her own.   Bev is still a monster, perhaps a little more vicious than I remember, but that might be because the 1970's culture on display here was even more jarring than I remember it being when first produced.  A clever touch is to make Tony and Angela, their new neighbours who are visiting, of Asian heritage, adding an additional frisson to the class and other topics that fall out of Bev and Laurence's mouths. Tony and Ange are as awkward as any of us would be dealing with...

 A day out in London took me first to see the new Marilyn Monroe exhibition at the National Portrait Gallery, followed by a brief wander through Tate Modern before ending the day at the Globe for a glorious production of Much Ado About Nothing. First, the Monroe exhibition which was extensive, organised by her life story and relationships with different photographers over the years including Philip Hausman, Cecil Beaton and her close collaborator for on-set photography, Eve Arnold.   It was interesting how closely she curated her image, having control over which proofs got to see the light of day and which were banished (until now) to obscurity by Monroe's pen through the image. Ironic how that control vanished after her death. There were plenty of stories about her being difficult and fighting with the studios, but it is interesting to see how many of them were her not wanting to be put in the dumb blonde box.  Her story is so well known but there were plenty of pho...

 Maxim Gorky’s play, first performed in 1905, puts his own spin on dissolute Russians hanging out in the countryside, oblivious to the plight of the peasant class.  With period dress, but with the language ostentatiously modern (reworked by Nina and Moses Raine), and covering similar ground as Chekhov, (apparently this was written as a response),  for a moment or two I wondered if we had accidentally wandered into The Cherry Orchard or Uncle Vanya instead.   Varvara (Sophie Rundle) and Sergei (Paul Ready) are hosting a large party at their summer retreat, and they and their guests spend their time bickering, and idly talking about life’s pointlessness and poetry whilst in the background (and sometimes in the foreground too) love affairs are played out.  A famous writer is coming to the house, and the party are putting on their own performance of A Midsummer Nights Dream.   These people are not aristocrats, but born into poverty, self made, and edu...

Bryan Cranston, Paapa Essiedu, Marianne Jean-Baptiste and Hayley Squires are the core of the cast assembled for this revival of Arthur Miller's family drama about the sins of the fathers coming back to haunt their children.  It's overlaid with a critique about money grabbing bosses taking opportunities in a time of national crisis to make a quick buck regardless of the harm it may do. So, it may be over 75 years old now, but with so many modern resonances; certainly I was thinking about the Michelle Mone and other Covid scandals.   I liked that this production doesn’t try to force the point though, which is clear enough, without needing to set it in a modern context.   The production really struck gold with this cast.  Essiedu and Cranston are a powerhouse duo, and the whole ensemble are just magnificent.  Bryan Cranston plays Joe Keller, the bluff, jovial, proud master of industry wanting to leave a legacy for his remaining son.  Marianne Jean-Ba...

 Othello at the Theatre Royal Haymarket An Othello with a starry cast of David Harewood (Othello) and Toby Jones (Iago), it had a full auditorium with a young and excited audience (I'm assuming it is still on the A level curriculum).  A simple but effective set, and this is a fairly simple and effective version.  Whilst the racism and misogyny are present, they are played pretty straight, without, for example trying to make it particularly current.   David Harewood was great, moving from an expansive and in love Othello, to a broken vengeful man as Iago’s poison sinks in, and the surrounding cast were all pretty pitch perfect.  I found Toby Jones a weasely Iago, although not as compelling as Rory Kinnear’s version back in 2013ish.  What I did  find strange was the amount of laughter at Iago’s dastardly plans - this wasn’t uncomfortable titters, but proper laughs as if this was all just a bit of sport.  They did dry up after the interval thoug...

This latest play at the Donmar is a funny family drama but it is also full of knotty debates about how to live well.  Juniper Blood by Mike Bartlett opens on a family farm that needs renovating; Ruth (Hattie Morahan) and Lip (Sam Troughton) have just inherited and are full of ideas of how to be more sustainable.   With definite Chekovian undertones with the family farm under pressure and fraught family relationships I thought that might be where this goes, but alongside the entertaining family dramas this turns into a energetic and gripping debate  about what is a good and ethical way to live in a capitalist world gone bad.  Throw science at it or carry on regardless, make pragmatic changes around organic and sustainability, or go full survivalist and return to basics?   The characters represent and advocate the different approaches. Ruth is full of middle class guilt and compromise, so advocates organic farming and a few pigs, whilst Millie (Nadia Par...