Chatterbox - still talking nonsense

  A Terence Rattigan play from 1952 doesn’t sound that appealing until you add Tamsin Greig into the mix and it suddenly became a must.  Surprisingly, although  it is pretty much of its time, I found it more modern than some of the kitchen sink dramas that pretty much swept Rattigan and his types of play away into history, for a while at least. A story about a woman who loves her younger lover too much and her husband not enough, and with neither of them loving her the way she wants to be loved, this is a pretty sad play, but despite opening with Hester’s suicide attempt, it’s also pretty funny, and not always in a bleak way! I read that there are some parallels with Rattigans own life where an ex lover killed themselves after leaving him for another man.  That's pretty sad in itself, and the play is very thoughtful about the impact of not being loved enough or as you wish to be loved, something that affects all of the main characters. Tamsin Greig is fantastic in th...

Backstroke, a new play by Anna Mackmin at the Donmar is a bit of a mixed bag but the cast including Celia Imrie and Tamsin Greig was a very good reason to take a look. The play opens with Beth (Celia Imrie) in a hospital bed and Bo (Tamsin Grieg) her middle aged and flustered daughter trying to deal with hospital staff whilst following her mother’s wishes and at the same time, manage, long distance, a crisis with her own daughter.  At first I thought this might be a dementia and death play, and to a certain extent it is, but very quickly the play starts to jump backwards and forwards in time, seeming randomly, each scene exploring more of the difficult relationship between the two women. In the first half we have learnt that Beth is not an ideal mother. In the second half though it becomes clear that this is a more nuanced story about mothers and daughters.  We begin to see a more rounded picture, and that Beth and Bo have had moments of joy, closeness and mutual support mixed...