2024 film round up - Romance, Coming of Age, family drama

This is just a big bucket of some films I have enjoyed over 2024 where I haven't already published my jottings.  I did try categorising them, and have ended up with just two big buckets but even then I had so many arguments with myself because so often they could fit in more than one group so take the categories with a pinch of salt.  This grouping is romance, relationships. coming of age and family drama.  There are some other films I saw this year I have already written about here, here and here, plus some more recent musings on films in the drama and action bucket here

Rare Beasts: strange anti-romcom directed by and starring Billie Piper.  I spent a lot of time laughing uncomfortably, never quite sure whether I was supposed to be taking it seriously or not.  But this weird little film confirms to me what an interesting artist Piper is.  

Joyride: Well it has Olivia Coleman in it - do I need to say anything else?  Coleman plays a single mother planning to give away her baby to someone more deserving, but then meets a runaway 12 year old (Charlie Reid), forms an unlikely friendship and runs away with him.  Predictable and clunky in places, and so a strange choice for an actor who can pretty much pick any role she likes I imagine.  But the film is absolutely redeemed by my girl-crush national treasure who acts her socks off and gradually shows us a painful history underneath the bravado.  

My Old Ass: This has Aubrey Plaza in it, so I was happy to give it a go, and for the first half hour or so I was enjoying where this was going.  But about that point I worked out what was going to be the denoument, and the rest was a fairly standard sentimental bitter sweet romance which ditched many of the laughs from the first bit.  I did stick with it, and it was sweet enough as long as I didn't turn on my brain too much.  If they had kept the vibe of the first half hour, going this could have been great.  

Unicorns:Luke is an Essex boy single father who will do pretty much anything for his son.  While on a night out he meets Aysha who is a drag queen with their own complicated background, desires, and family history.  A lovely love story but with some clear eyed looking at the challenges that the characters face.  I loved the way the often toxic relationships were drawn, mixed in with the sometime unexpectedly warm and supportive exchanges too.  Left me feeling like I'd had a warm hug despite some quite difficult subject matter

Where’d you go Bernadette.  Stars Kate Blanchett as visionary architect who has lost her way and Billy Crudup as her husband, and with  Kristen Whig as annoying neighbour.  A small and delicately drawn Richard Linkater film about rediscovering the spark whatever that may be. Gorgeous scenery and cinematography when we get to Antarctica and packed full of great actors in little more than bit parts.  Lovely.

His Three Daughters:  A great cast here of Carrie Coon, Natasha Lyonne and Elizabeth Olsen as three sisters who move back to their dying father's Manhattan apartment to spend time with him before and as he dies.  The sisters are all very different and at each other's throats, seemingly wilful in their misunderstandings of each other, but we gradually get to know them all over the hours spent in and around the apartment.  As the slow ending of their father's life unfurls, full of tedium, crisis, health workers coming and going, a new fragile equilibrium is established.  I really loved this, dialogue heavy  and snappy with a beautiful turn of phrase, mixed in with long pauses. I was very briefly somewhat confused at the ending before I got what was going on, but it was both sad and lovely.   

Petite Maman - This is an absolutely gorgeous film from Céline Sciamma, the director of that other gorgeous film Portrait of a Lady on Fire. Nelly (Joséphine Sanz) is back at her grandmother's house in the woods as her parents pack up after her death.  Out in the woods she meets another girl, Marion (played by Joséphine's real life twin, Gabrielle) and they become friends as they discover parallels between their lives.  This is a beautiful fable which made me smile and tear up at the same time  The cinematography is stunning, and  subtle music adds to the loveliness of each scene.  Exploring childhood and parenthood,  blurring between them as grief, loss, growing up, and love are explored, all with a bit of magic to add healing and joy.  

The Squid and the Whale:  Part of Noah Baumbach's back catalogue I had never watched and so I caught it on streaming on a dark autumn evening this year.  Set in Brooklyn in the 1980s, this is the story of a painful divorce between Bernard (Jeff Bridges), a pretentious and overbearing novelist and Joan (Laura Linney) who is newly successful, eclipsing her husband.  A young Jesse Eisenberg plays their embittered and angry son.  A sort of precursor to Marriage Story, funny, honest and painful in the way that Woody Allen was in his heyday.  All of the characters are monsters in their own way, but we are also delicately shown their insecurities and pain, even though there is no redemption to be found here. I really enjoyed this black and raw comedy.  Sadly though I didn't see the squid and the whale exhibit this film references when I visited the American Museum of Natural History in New York this year - can I justify another visit to repair this omission?

The Kings of Summer: This is over a decade old now, but I only watched it this year because Prime was about to dump it from its playlist... I see it has now cropped up on Netflix instead.  A comedy drama coming of age story about three teenage boys running away from home and living in the woods for the summer.  It's  funny in the realities of trying to live off-grid, and sweet and sharp in the portrayal of the angst of being young and powerless.  An excellent grumpy performance by Nick Offerman, and funny, sweet and quirky turns by the three young leads.  Light but satisfying.

How to Have Sex:  A counterpoint to the healthy coming of age stories we can see in Sex Education and Heartstopper, the film is centred on Tara (with a sensitive performance by Mia McKenna-Bruce) a sixteen year old on holiday with her friends who spend a lot of time teasing her for  still being a virgin.   Taking a good look at the insidious effects of peer pressure, and in particular what consent means and how it is interpreted or disregarded, this was a painful but thought-provoking watch with excellent performances from this young cast.  

Will and Harper:  Another one of those films very difficult to categorise, this is a documentary by Will Ferrell with his long standing friend Harper who only recently came out as a trans woman.  They take a road trip across the US to spend time together renewing their friendship now that Harper is no longer hiding, and on the way they discover a lot about the US attitude towards trans people in particular and difference in general, which turned out to be a mix of warm acceptance but sometimes quite scary intolerance.   

Queer: I wasn't sure what to expect from this.  I did read the William S Burroughs novella many years ago but couldn't remember much - I think a lot went over my head.  Daniel Craig is certainly the best thing in this film about obsession, love and loss.   Set in 1950s Mexico City, Craig plays William Lee, a lonely tragicomic gay man, trying and failing to make connections, so he has a life of empty sex and drugs blustering his way through, with only a few friends, including a great comic turn by Jason Schwartsman as Joe who continually falls for rough trade types who steal all his stuff.  But then Lee  meets Eugene (Drew Starkey) when an obsession begins despite Eugene's ambivalence towards him.  The first section is fairly straightforward, but then Lee persuades Eugene to travel with him and things get pretty weird including some pretty trippy experiences and a spectacular performance by Lesley Manville (she looked like she was having fun!), before a short final and sad section to round things up.  Lee is Burroughs barely concealed alter ego, and so it’s not surprising the book wasn't published until the 80's.  I really liked the look of the film, and the musical choices, particularly the anachronistic ones really worked for me, but I got confused in the middle, and ended up feeling sad by the end although still a bit confused.  Great performances but a muddled narrative probably sums it up for me.  There were only 6 of us in the cinema, one couple and four single customers, and I chatted to one on the way back to the car park - she simply said 'I am not sure what I just watched but I think I liked it'  and I think that's a fair summary.

Wicked:  Putting this in the coming of age section as this part 1 of the story of Elphaba (a fabulous Cynthia Erivo) takes us through her school years where she is friends with Galinda (Ariana Grande) and ends as she leaves in spectacular fashion  Sugary sweet with pink and green visuals all over the place and so much CGI I wonder if the actors ever actually knew where they were supposed to be.  However, the tough messaging about autocracy, persecution and the dangers of being different still came through loud and clear despite the glamour and dancing.   Michelle Yeoh was excellent, both regal and scary.  Standout moments for me were Jonathan Bailey Dancing through Life and stealing every scene he was in, and of course the finale Defying Gravity bit at the end.  I also liked that Idina Menzel had a bit part too!  I am not sure it really needed to be as long as it was (2hrs 40 mins) but I really enjoyed it as a christmassy treat and I will be seated for part 2


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